Anna, Cécile, Joyce, and Claude are taking part in the Constance Dumas dramatic arts course, which is exclusively for girls. All four of them share a home in the Parisian suburbs, where they have formed a small commune. One day, a mysterious man approaches each of them in turn, changing his name every time. Rivette continues to reflect on the interdependence of life and theater, while at the same time making a true coming-of-age story about young women torn between their professional obligations and emotional lives. The film launched the careers of four young actresses who would go on to leave their mark on cinema of the time: Laurence Côte, Fejria Deliba, Nathalie Richard, and Ines de Medeiros.
Berlin IFF 1989 – FIPRESCI Prize, Honorable Mention
(1928 - 2016) Despite being a key member of the Nouvelle Vague, Jacques Rivette has languished in the shadows of his more renowned colleagues: Godard, Rohmer, Chabrol and Truffaut. Rivette's work is certainly demanding, but along with Godard, Rivette turns out to have been the most playful and innovative of a group who literally changed the face of filmmaking. Jacques Rivette was born in Rouen, France. In the fifties, he begin writing for the "Cahiers du Cinéma", which teamed him with Nouvelle Vague. In 1960 he directed his first feature film with Paris nous appartient (60). His filmography includes La Religieuse, L'Amour fou, Duelle, La Bande des quatre and La Belle Noiseuse.
1960 Paryż należy do nas / Paris nous appartient / Paris Belongs to Us
1966 Zakonnica / La Religieuse / The Nun
1968 Miłość szalona / L'Amour fou
1974 Celine i Julie płyną statkiem / Céline et Julie vont en bateau / Celine and Julie Go Boating
1976 Duelle / Twiligt
1988 Banda czterech / La Bande des quatre / Gang of Four
1991 Piękna złośnica / La Belle Noiseuse
1998 Ściśle tajne / Secret défense / Secret Defense
2001 Kto wie / Va savoir / Who Knows
2007 Ne touchez pas la hache / Don't Touch the Axe