A loud bang. Metallic, loud, piercing – as if emanating from within the planet. The sound haunts Jessica (Tilda Swinton in a phenomenal role), attacking her during sleepless nights, and surprising her in the most unexpected moments of her trip around Colombia. This sound scares, but also fascinates her. Has she lost her mind? Apichatpong Weerasethakul surprised audiences at the Cannes Film Festival with an unusual, very original philosophical treatise. Memoria is a transcendental, hypnotizing journey - a story about individual and collective memory (memory of everything?), about a secret, invisible bridge between the present and the past, about the contemporary world that seems cultured, artificial and that can be easily infected (even with a virus). It is a dream-movie, a cinematic odyssey, a unique sensory, audio and spiritual experience. It is a film that stays with the viewer forever.
Cannes IFF 2021 – Jury Prize
Apichatpong Weerasethakul was born in 1970 in Bangkok, but grew up in Khon Kaen in northeastern Thailand. In 1994 he received his degree in Architecture and in 1997 in Directing from the School of the Art Institute of Chicago. In the mid-1990s, he began making his first short films, and his feature debut was the experimental documentary Mysterious Object at Noon (2000). A decade later his Uncle Boonmee Who Can Recall His Past Lives won the Golden Palm at the 63rd Cannes IFF.
2000 Tajemniczy obiekt w południe / Dokfa nai meuman / Mysterious Object at Noon
2001 Nawiedzone domy / Haunted Houses
2002 Skrajne żądze / Sud sanaeha / Blissfully Yours
2003 Przygody Iron Pussy / Hua jai tor ra nong / The Adventure of Iron Pussy
2004 Choroba tropikalna / Sud pralad / Tropical Malady
2006 Światło stulecia / Sang sattawat / Syndromes and a Century
2010 Wujek Boonmee, który potrafi przywołać swoje poprzednie wcielenia / Loong Boonmee raleuk chat / Uncle Boonmee Who Can Recall His Past Lives
2012 Mekong Hotel
2015 Cmentarz wspaniałości / Rak ti Khon Kaen / Cemetery of Splendour
2021 Memoria