Philippe Garrel still manages to surprise. Well received at Cannes, In the Shadow of Women is his most original film in years. With a running time of barely 70 minutes, this touching story about love is reminiscent of Bergman's Scenes From a Marriage in miniature. This time, the usually serious Garrel adopts an ironic stance typical of Eric Rohmer or Milan Kundera. Full of conflicting emotions, the atmosphere in In the Shadow of Women perfectly reflects the nature of the complicated relationship between Pierre and Manon. The protagonists are a couple in both their private and professional lives, as they make independent documentary films together. Their idyllic relationship begins to fall apart when Pierre starts cheating on his wife. Manon does not remain beholden to him, however, as she also finds a lover. Thus begins a fascinating game between the two main characters. Although they both do their best to be calculating and cynical, they cannot hide the fact that they are still in love. In an unexpected finale, their failing relationship gets some unexpected help in the form of the magic of cinema.
Born in 1948, Philippe Garrel is the son of the well-known actor Maurice Garrel and one of the most important continuators of the French New Wave. He was only 16 when he made his debut film, Les enfants désaccordés (Children Out of Tune). His films combine lyrical self-portraits, cinematic tributes to his favorite filmmakers, and critical social commentary. His first big success was The Secret Son, for which he won a Jean Vigo Award in 1979. Garrel’s most important films include Liberty at Night, Wild Innocence, and Regular Lovers, which concerns the events of May 1968.
1979 Sekretne dziecko / L’enfant secret / The Secret Child
1991 Nie słyszę już gitary / J'entends plus la guitare / I Don't Hear the Guitar Anymore
1984 Liberté, la nuit / Liberty at Night
1999 Powiew nocy / Le vent de la nuit / Night Wind
2005 Zwyczajni kochankowie / Les amants réguliers / Regular Lovers