Justyna Łuczaj's feature film debut is a contemporary adaptation of Oedipus, written into multiple characters with hidden connections. The very first shot of the film, depicting a powerful cliff and a forest filled with the cries of an infant, situates this narrative in a universal, timeless space of myth, a fairy tale that is also ruthless. In one of the subsequent scenes, Diana, a mysterious heroine, enters the story, returning to her hometown after a long absence. At the same time, a crime occurs in the area, and a young man, the main suspect, unexpectedly befriends the victim's daughter. As more secrets from the past come to light, the atmosphere becomes increasingly dense and tense. This uncompromising film by the Polish artist was produced with the participation of mostly non-professional actors, and the script served as a loose starting point. One of the driving forces behind the plot of Horse Tail was improvisation, embodying the interesting concept of the author's „living process without rigidly defined outcome.”
Justyna Łuczaj is a painter, director, screenwriter, and producer born in 1975 in Krosno. She is a graduate of the Painting Department at the Academy of Fine Arts in Kraków and the Directing Department at the National Film School in Łódź. She graduated with PhD at Interdisciplinary Doctoral Studies at the Lodz Film School and is an assistant at the Institute of Fine Arts at the University of Rzeszów. She made her directorial debut in 2002 with the short film Waiting for Love and has since directed several other productions, including the award-winning T. Rickster (2007) and the historical documentary The Archive of Existing Cases in 2009.
2002 Czekając na miłość (short)
2003 Przy cerkwi (short)
2003 Felix (short)
2005 Śnieg w kieszeni (short)
2007 T. Rickster (short)
2009 Archiwum istnień / The Archive of Existing Cases (doc.)
2011 Dziki obiad Łukasza Łuczaja (doc. series Canal+)
2012 Karpaty Dyzajn (doc. series Canal+)
2017 Dziura (short)
2018 Allachu Akbar (short)
2022 Koński ogon / Horse Tail