Life is the source of madness and for Andrzej Żuławski the impulse to make this film was the disintegration of his relationship with Małgorzata Braunek. Instead of a straightforward autobiography, we get an exuberant, fantastic metaphor. The unfolding marital horror takes place in a divided Berlin. The husband returns home from a business trip to discover his wife cheating on him with two lovers, one of whom is not a man, but a monster straight from the paintings of H.R. Rudolf Giger. In a shabby apartment, the woman has intercourse with a slimy, phallic essence that represents the madness that has been growing in her for some time. The grotesque horror grows increasingly bizarre, exaggerated, and histrionic. This uncompromising work is an important point of reference for some of the leading visionaries of contemporary cinema - it inspired Gaspar Noe's Climax and Guillermo del Toro's The Shape of Water.
Żuławski was born in 1940 and passed away in 2016. He was one of the most original and controversial artists in the history of Polish cinema. Żuławski studied Directing at IDHEC in Paris and gained professional experience as assistant to Andrzej Wajda. He debuted with The Third Part of the Night followed by a turbulent career in which he struggled with communist censorship, alternating between moving away and returning to Poland. Ultimately, most of his films were produced abroad and the best-known works include That Most Important Thing: Love, Possession and On the Silver Globe.
1971 Trzecia część nocy / The Third Part of the Night
1972 Diabeł / The Devil
1975 Najważniejsze to kochać / L’important c’est d’aimer / That Most Important Thing: Love
1981 Opętanie / Possession
1987 Na srebrnym globie / On the Silver Globe
2015 Kosmos / Cosmos