Closeness, Kantemir Balagov's acclaimed Cannes debut, is a stifling film. And no wonder, as we find ourselves, after all, in the boiling cauldron of the North Caucasus at the end of the 1970s, where survival requires loyalty to one's "tribe,"-their family and ethnic community. Balagov looks at his hometown of Nalchik through the eyes of a young Jewish woman who is entangled in a network of hateful tribal dependencies that she is supposed to sacrifice herself to in order to save her brother. Ilana (played by Darya Zhovnar, whose incredible energy positively bursts out of the framed) does her best to escape these limitations. In her effort to find freedom, she boxes with reality, while Balagov encloses her in her surrounding world like in a ring. The electrifying, somewhat brutal, and at times controversial debut by the 26-year-old director promises great things from this unique new film talent.
Born in 1991, Kantemir Balagov is a Russian director and screenwriter from Nalchik in Kabardino-Balkaria. A student of Aleksander Sokurov's, he completed courses that the director of Taurus ran at the state university in Nalchik. The Sokurov Foundation is the main producer of Closeness.
2013 Mołodoj jeszczo (śr.m.)
2013 Andriusza (dok., śr.m.)
2015 Pierwyj ja (kr.m.)
2017 Bliskość / Tesnota / Closeness