Casanova’s final days. In the French provinces, the famous philanderer is devoting himself to small pleasures. He is less interested in the art of love than he is in eating; in the art of speaking, he is second to none, eloquently denouncing the Church, revealing women’s secrets, predicting the timing of beheadings. The weary libertine abandons his château, however, in order to travel through the idyllic landscape of the Carpathian Mountains to meet with Count Dracula. Like a sleepy 18th-century courtier, the dreamlike Story of My Death is the complete opposite of the classical biography or Fellini’s rococo fantasy Casanova. Albert Serra avoided a traditional narrative to show the decadent mood of the era with the help of contrasting visual details: refinement in a rude joke, powdered filth and rural innocence, vitality and a slaughtered animal. He portrays the meeting of two legendary sinners, connected only by the compulsion of desire, which is a symbol for self-serving intellect clashing with a brutal, dark force.
Locarno IFF 2013 - Golden Leopard; FICUNAM - Silver Puma for Best Director; Gaudí Awards 2014 - Best Costume Design
A Catalonian director and producer, was born in Banyoles in 1975. He studied Spanish and Comparative Philology at the University of Barcelona. His second film, Quixotic/Honor de Cavelleria, a loose adaptation of the story of Don Quixote, appeared in the section Quinzaine des Réalisateurs at Cannes in 2006. Serra’s second film of 2008, Birdsong, found itself in the program Un Certain Regard, a prestigious section of the Cannes festival, and it was also recognized as the best Catalonian film of the year.
2006 Honor rycerza / Honor de cavallería / Honor of the Knights
2008 Śpiew ptaków / El cant dels ocells / Birdsong
2010 Els noms de Crist / The Names of Christ
2013 Historia mojej śmierci / Història de la meva mort / The Story of My Death