In his newest film, this leading enfant terrible of Polish cinema has effected a major stylistic reversal: driven to date by punk energy, classic narration has been replaced by an almost total lack of dialogue, an emotional psychodrama that plays out between three protagonists: a grandson, his grandfather and a girl. The history of Ksawery and Karolina, who try to break through the wall built by Jan and force him to confess to the murder of a Jewish family, a hypnotising music video rhythm mingles in one shot with long scenes that invite us to reflect on the sense and need to break open old wounds. In Wojcieszek’s vision, the crime was not punished, nor will discovery of the secret bring catharsis.
Przemysław Wojcieszek is a Polish film and theatre director and screenwriter. He studied Polish at the Jagiellonian and Wrocław Universities. Wojcieszek authored the script to Witold Adamek’s film Monday, as well as all of his own films; his directorial debut came in 1999 with Kill Them All. He received the ‘Polityka’ magazine Passport (promising young artist award) in the film category for his original films that are manifestos of 30-year-olds trying to find their place in our reality. In 2004, he debuted as a playwright and theater director with the play Made in Poland, and has since directed 10 theatre productions. His films The Perfect Afternoon, Made in Poland and Secret screened at Berlinale.
2001 Głośniej od bomb / Louder Than Bombs
2004 W dół kolorowym wzgórzem / Down Colourful Hill
2005 Doskonałe popołudnie / The Perfect Afternoon
2010 Made in Poland
2012 Sekret / Secret