Separated from her husband, Dalia lives with her infant son. She is close to her mother, Lala, a scholar and herbal medicine expert. Dalia works for a local radio station and spends much of her time in her mother’s lush garden. Soon after complaining of memory loss, Lala is diagnosed with Alzheimer’s disease. Foreseeing the inevitable loss of lucidity, she asks Dalia to take care of her and watch over her prized research notes on traditional folk medicines. Soon her memories begin to waft away, like the scent of garden flowers. The film’s central narrative, weaving among many tangents, is a meditation on the importance of plants in human cultures, on the complexities and unpredictability of the human brain, and on the strength of love.
Ariel Awards (Mexico) 2011 – Silver Ariel for Best Supporting Actress, Best Ariel for Best Visual Effects; Havana FF 2010 – Third Prize for Best Film
Born in 1951 in Mexico City. The most successful woman director of Mexican cinema studied Sociology at the National Autonomous University of Mexico (UNAM) and Film Production at the University Center of Film Studies (CUEC) in Mexico City. She began her career as assistant director of Alberto Cortés in 1986 at Love Around The Corner’s set. After a while she directed some live-action shorts made in Super 8 and 16 mm. Lola (1989) was her first feature film, The Good Herbs is her sixteenth film. Novaro has been considered an expressionist director because of the importance of colors in her films.
1982 Conmigo la pasaras muy bien (co-dir., short)
1989 Lola
1991 Danzón
1994 El jardín del Edén / The Garden of Eden
1998 Cuando comenzamos a hablar (segment in Enredando sombras / Entangling Shadows)
2000 Bez śladu / Sin dejar huella / Leaving No Trace
2010 Zielarka / Las buenas hierbas / The Good Herbs