The reality created in Olga Egorova’s film would appear to be the script for an ostentatious emphasis of our own artificiality. The problems here are, sadly, all too real. Tanya counts on running away from them. She moves to Norway and believes that here she will be singing different songs, leading a happy life at her husband’s side who doesn’t drink alcohol or beat the children. In her brave new world, the voices on the radio sing songs about freedom and happy families. Only a sad choir, a symbol of Tanya’s past, dogging her every footstep, dares to say that it will be otherwise. Swaying together in a gloomy dance, the chorus convinces the woman that Russia is not a place that can be easily left behind. That is her destiny, which has been fated to her, and which will accompany her until the end of her days.
Born in 1968 in Khabarovsk, Olga Egorova studied History of Art at the Repin Institute of Painting, Sculpture and Architecture. She lectured at the St. Petersburg Fashion and Design Higher School. Since 1995, as ‘Tsaplya', she has been a member of the group The Factory of Found Clothes. In 1999, she won the Best Video Performance Award in Serbia. She lives and works in St. Petersburg and is a member of the artistic-activist collective Chto Delat'.
2002 Trilogy: The Triumph of Fragility, Immersion (co-dir.)
2005 Crimson Sails (co-dir., video)
2007 Trzy matki i chór / Thri materi i knor / Three Mothers and a Chorus (co-dir.)
2008 Zoo (co-dir., video)
2009 Utopian Unemployment Union (co-dir., video)
2013 Przygraniczny musical / Pogranichnyy Myuzikl / A Border Musical