polski

european short films - experimental, set 1

75’

Ersatz

Switzerland, France 2011 / 4’20’’

In an exchange around the meaning of the word Ersatz, the film’s protagonists engage in an absurd and poetical discussion, revealing the basic existential condition of feeling oneself to be a simulacrum. Their pictorial dialogue about the idea of replace ability turns into a humorous and philosophical meditation

director: Elodie Pong
screenplay: Elodie Pong
cinematography: Simon Jaquemet
editing: Rosa Albrecht
sound: Markus Egloff
cast: Laetita Dosch, Benjamin Dukhan
producer: Elodie Pong
production: Venus Riot Productions
sales: Venus Riot Productions
language: French, German

Elodie Pong

Born in the United States, artist Elodie Pong makes her home in Zurich, Switzerland. Her work focuses on relationships, and the influence of cultural codes on social interactions. Her films have been shown around the world, including at festivals in Warsaw, London, New York, Hong Kong and Tokyo.

Selected filmography

2003 Five Years Later (short)

2004 A certain general (short)

2005 Script (short)

2011 Namiastka / Ersatz (short)

The Ghost of Happiness

Das Gespents des Glück
Switzerland 2011 / 11’

An unspoken, powerful film set to a masterful soundtrack – a small masterpiece is how a Basel jury described Max Philipp Schmid’s film in naming it best short feature. The Ghost of Happiness’ striking musical score underlines a couples' attempts to emulate the stars of big-screen musicals. A vignette from the life of two people who can’t quite live up to classic Hollywood dreams.

director: Max Philipp Schmid
screenplay: Max Philipp Schmid
cinematography: Sarah Derendinger
editing: Max Philipp Schmid
music: Max Philipp Schmid
cast: Desirée Meiser, Klaus Brömmelmeier
producer: Stella Händler
production: freihändler Filmproduktion GmbH
sales: freihändler Filmproduktion GmbH
language: no dialogues

Max Philipp

Max Philipp Schmid wasborn in 1962 in Switzerland. Schmid is an independent director and video artist. After studies in art he qualified as a visual arts teacher at Basel University of Arts and Design. Since 1990, he has dedicated himself to making experimental films and videos. His works have been shown at numerous international festivals. Exhibitions in museums and galleries in Switzerland and Germany have shown his video installations. Several works of Max Philipp Schmid have been awarded.

Selected filmography

1990 Privat (short)

1996 Sad Song (anim., short)

1998 Scanner (short)

2007 Der Imitator (short)

2011 Widmo szczęścia / Das Gespents des Glück / The Ghost of Happiness (short)

The Tracks of My Tears 2

Sweden 2011 / 14’

Saddam Hussein’s palace is looted in Baghdad 2003. A red Ferrari Testarossa disappears from his garage. Years pass by and cars from the same garage are found around the world; some crashed, some in mint condition. The Testarossa is still out there, ghostriding through the neverending desert.

director: Axel Petersén
screenplay: Axel Petersén
cinematography: Axel Petersén
editing: Axel Petersén
music: Samir Nabil
animation: Arild Andersson
cast: Mina Talaat, Samir Nabil, Omar El Hamy
producer: Georgie Mathew, Axel Petersén
production: Axel Petersén
sales: Swedish Film Institute
language: Arabic, English

Axel Petersén

Axel Petersén was born 1979 in Sweden. Petersen is trained at the Czech film school FAMU and the Royal Swedish Academy of Arts. He is the director of several acclaimed short films and his latest film The Track of My Tears 2 (2011) had its premiere in Venice Orrizonti 2011. Avalon (2011) is Axel's first feature.

Filmography

2008 Deep Fried Dawn (short)

2008 Slumber Past Zenith (short)

2009 Close to God / Far From Home (short)

2009 A Good Friend of Mr. World (short)

2011 Ślady moich łez 2 / The Tracks of My Tears 2 (short)

2011 Avalon

The Shadow

Schatten
Germany 2012 / 9’55’’

Daniel Burkhardt controlled every step of the production process on this film, making it an unfiltered expression of his artistic vision. In The Shadow, the artist and director samples 23 of his previous works in film to produce a piece that is an at once eclectic and coherent whole.

director: Daniel Burkhardt
screenplay: Daniel Burkhardt
cinematography: Daniel Burkhardt
editing: Daniel Burkhardt
cast: Daniel Burkhardt
producer: Daniel Burkhardt
production: Daniel Burkhardt
sales: Daniel Burkhardt
language: no dialogues

Daniel Burkhardt

Daniel Burkhardt was born in 1977 in Bochum, Germany. He studied Media Art at the Academy of Media Arts in Cologne where he is still working and living. Since 1998 he develops and realizes experimental videos, visual performances and video installations. His works are shown in the context of cinema at international film festivals as well as in exhibitions where they are projected on sight specific installation architecture.

Selected filmography

2012 Cień / Schatten / The Shadow (short)

Flimmer

Norway 2011 / 5’

Flimmer is the vehicle for a woman’s monologue about her one-week romance with a man who attempts fruitlessly to keep in contact after she breaks things off. The minimalist, almost completely static, imagery works in fluid unison with the narration, in which the woman gives a cathartic testimony of her inability to form anything but superficial emotional bonds – a fact she imposes from the very beginning, describing herself as a cactus.

director: Line Klungseth Johansen
screenplay: Line Klungseth Johansen
cinematography: Øystein Moe
editing: Line Klungseth Johansen
music: Hanstein Mørkved Rommerud
producer: Line Klungseth Johansen
production: Klungseth Filmproduksjon
sales: Klungseth Filmproduksjon
language: Norwegian

Line Klungseth Johansen

Line Klungseth Johansenwas born in 1980. She is a Norwegian writer and director.

Filmography

2011 Flimmer (short)

Arcana

Austria, USA 2011 / 31’

Arcana is a sequence of loosely connected film excerpts. Director Henry Hills is not so much concerned with any narrative continuity as he is with the montage and editing of film as artistic material. Indeed, he deliberately eschews linear storytelling. American avant-garde master John Zorn provides the soundtrack to Hills’ imagery – the fragmentary qualities of both artists’ work feed of each other to produce a strangely harmonious collage.

director: Henry Hills
screenplay: Henry Hills, John Zorn
cinematography: Henry Hills, archival footage
editing: Henry Hills
music: John Zorn
cast: Martina Kudlácek, Robert Gal, Henry Hills, Eve Heller
producer: Henry Hills
sales: Sixpack
language: English

Henry Hills

A native of Atlanta, Georgia, Henry Hills graduated in filmmaking from the San Francisco Art Institute in 1978. He was an editor at Cinemanews magazine and later a curator and administrator at various film institutions, including Anthology Film Archives, Millennium, Collective for Living Cinema, Roulette, Film-Makers’ Cooperative and the Segue Foundation.  In 1990, he directed and edited Elektra 40 Years, a compilation documentary about the famed record label. He was an editor on Al Pacino’s Looking For Richard and on numerous music videos, including for compositions by Patti Smith and Kronos Quartet. He has taught at the Pratt Institute in New York, the San Francisco Art Institute, and the FAMU film academy in Prague.

Selected filmography

1975 Balieire (short)

1981 Kino Da! (short)

1988 SSS (short)

1997 Mechanics of the Brain (short)

2004 King Richard (short)

2011 Arkana / Arcana (short)