A Korean man named R receives the most severe punishment possible—death by hanging. However, during the execution, his body defies the sentence—he simply does not die. He removes the noose from his neck and claims to remember nothing, which, in the eyes of the law, renders him innocent. This unexpected turn leads to consternation among the state representatives present, and the occurrence of the impossible sparks a fascinating debate about the role of law and memory. Death by Hanging invites the audience into a theater of the absurd, a game whose rules continuously evolve, deepening the sense of distance and discomfort. The surreal nature of the story allows Ōshima to delve into the heart of the collective social consciousness. By breaking away from the political status quo, he questions the legitimacy of the death penalty while also reckoning with Japan’s imperialist past and its racist sins. Death by Hanging exemplifies masterful use of cinematic language and stands as proof of Ōshima's directorial finesse.
Kinema Junpo Award 1969 – Best Screenplay
Nagisa Ōshima, born in 1932 in Okayama, was a formidable Japanese filmmaker, screenwriter, and cinema theorist. After studying political science at Kyoto University, he joined Shochiku film studio, where he assisted directors like Masaki Kobayashi. Prior to his directorial debut in 1959 with A Town of Love and Hope, Ōshima was already a respected film critic. In 1960, he directed three films that launched the Shochiku New Wave, joining contemporaries like Masahiro Shinoda and Shōhei Imamura, and becoming a leading voice of what would later be known as the Japanese New Wave. A radical and politically engaged filmmaker, Ōshima frequently addressed contentious issues such as the Vietnam War, the plight of Koreans in Japan, and the death penalty. His refusal to conform to commercial studio expectations led him to leave Shochiku and establish his own company, Sōzōsha, producing major works with the Art Theatre Guild. Ōshima's career spanned four decades, including international projects, and he remained a critical iconoclast and keen observer of society until his death from pneumonia in 2013 at the age of 80.
1960 Naga młodość / Seishun zankoku monogatari / Cruel Story of Youth
1960 Noc i mgła w Japonii / Night and Fog in Japan / Nihon no yoru to kiri
1960 Pogrzeb słońca / Taiyô no hakaba / The Sun’s Burial
1965 Rozkosz / Etsuraku / Pleasures of the Flesh
1966 Koszmar za dnia / Hakuchû no torima / Violence at Noon
1967 Rozprawka o japońskiej piosence erotycznej / Nihon shunka-kô / Sing a Song of Sex
1968 Śmierć przez powieszenie / Kôshikei / Death by Hanging
1969 Chłopiec / Shônen / Boy
1970 Po wojnie tokijskiej / Tôkyô sensô sengo hiwa / The Man Who Left His Will on Film
1976 Imperium zmysłów / Ai no korîda / In the Realm of Senses
1978 Imperium namiętności / Ai no bôrei / Empire of Passion
1982 Wesołych świąt, pułkowniku Lawrence / Merry Christmas, Mr. Lawrence
1986 Max, moja miłość / Max mon amour
1999 Tabu / Gohatto / Taboo