polski

Sing a Song of Sex

Nagisa Ōshima
Nihon shunkako
Japan 1967 / 103’
Violence at Noon Death by Hanging

It is 1967, and the world is changing under the influence of countercultural movements, including those in Japan. As the summer of love approaches its end, four dilettantes find themselves still inexperienced in the ways of romance. They let their fantasies run wild, dreaming of one of their classmates and conjuring up erotic songs filled with obscene visions of sexual initiation. However, the boundary between fiction and reality soon becomes unclear. In Sing a Song of Sex, Ōshima fulfills his role as the creator of an anti-musical. This film serves as the culmination of his reflections on his lost youth, presented through a boyish coming-of-age story, yet devoid of the genre's usual delicacy and allure. Using erotic songs as a pretext, Ōshima delves into themes of morality, constantly contesting the limits of the safe status quo. From drunken shanties emerges a philosophical treatise on sexuality, patriarchal oppression, and youth, imbued with the exceptionally bitter aftertaste of the 1960s.

Łukasz Mańkowski

Nagisa Ōshima

Nagisa Ōshima, born in 1932 in Okayama, was a formidable Japanese filmmaker, screenwriter, and cinema theorist. After studying political science at Kyoto University, he joined Shochiku film studio, where he assisted directors like Masaki Kobayashi. Prior to his directorial debut in 1959 with A Town of Love and Hope, Ōshima was already a respected film critic. In 1960, he directed three films that launched the Shochiku New Wave, joining contemporaries like Masahiro Shinoda and Shōhei Imamura, and becoming a leading voice of what would later be known as the Japanese New Wave. A radical and politically engaged filmmaker, Ōshima frequently addressed contentious issues such as the Vietnam War, the plight of Koreans in Japan, and the death penalty. His refusal to conform to commercial studio expectations led him to leave Shochiku and establish his own company, Sōzōsha, producing major works with the Art Theatre Guild. Ōshima's career spanned four decades, including international projects, and he remained a critical iconoclast and keen observer of society until his death from pneumonia in 2013 at the age of 80.

Filmography

1960 Naga młodość / Seishun zankoku monogatari / Cruel Story of Youth

1960 Noc i mgła w Japonii / Night and Fog in Japan / Nihon no yoru to kiri

1960 Pogrzeb słońca / Taiyô no hakaba / The Sun’s Burial

1965 Rozkosz / Etsuraku / Pleasures of the Flesh

1966 Koszmar za dnia / Hakuchû no torima / Violence at Noon

1967 Rozprawka o japońskiej piosence erotycznej / Nihon shunka-kô / Sing a Song of Sex

1968 Śmierć przez powieszenie / Kôshikei / Death by Hanging

1969 Chłopiec / Shônen / Boy

1970 Po wojnie tokijskiej / Tôkyô sensô sengo hiwa / The Man Who Left His Will on Film

1976 Imperium zmysłów / Ai no korîda / In the Realm of Senses

1978 Imperium namiętności / Ai no bôrei / Empire of Passion

1982 Wesołych świąt, pułkowniku Lawrence / Merry Christmas, Mr. Lawrence

1986 Max, moja miłość / Max mon amour

1999 Tabu / Gohatto / Taboo

Credits

director Nagisa Ōshima
screenplay Nagisa Ōshima, Mamoru Sasaki, Toshio Tajima, Tsutomu Tamura
cinematography Akira Takada
editing Keiichi Uraoka
music Hikaru Hayashi
cast Akiko Koyama, Ichirō Araki, Kazuko Tajima, Jūzō Itami, Koji Iwabuchi
producer Masayuki Nakajima
production Sozosha
sales Shochiku
language Japanese
colouration colour & b&w