This film could have been made by Wes Anderson if he was a more predatory and subversive director, or Ken Russell, if he were interested in statesmen on par with other great directors. Matthew Rankin's film tells the partially fictionalized storyof young William Lyon Mackenzie King, the three-time Prime Minister of Canada, which the director wrote by reading between the lines of the future politician's diary, one filled with anguish and shame for unspecified transgressions. King is shown here as a repulsive individual, an Oedipal mama's boy and shoe fetishist driven by a pathological ambition to rule the country. He leads his pathetic life in a grotesque version of Canada, a frosty, expressionist Neverland, where the skills of clubbing baby seals and signing your name with urine in the snow are highly valued.
Toronto IFF 2019 – Best Canadian First Feature Film; Vancouver Film Critics Circle 2019 – One to Watch, Best Actor in a Canadian Film; Los Cabos IFF 2019 – Best Film; Berlin IFF 2020 – FIPRESCI Prize
Matthew Rankin is a Canadian experimental film director who was born in 1980, in Winnipeg, just like Guy Maddin, with whom he shares a surreal imagination and a penchant for the aesthetics of vintage cinema. He has directed several shorts, including The Tesla World Light and Mynarski Death Plummet. The 20th Century is his feature-length film debut.
2005 Le facteur poulpe (short)
2010 Negativipeg (short)
2014 Mynarski Death Plummet (anim., short)
2017 The Tesla World Light (short)
2019 Dwudzieste stulecie / The 20th Century