polski

Dušan Makavejev – short films 2

90’

Down with the Fences

Dole plotovi
Yugoslavia 1962 / 11’

Children playing in a square, crawl through holes and over the fence in attempts to topple it, in a film commissioned by a women’s group to highlight the need for playgrounds. Instead, Makavejev finished Down with the Fences after the building of the Berlin Wall in 1961; the short proved a prophecy and aphorism of tearing down walls in a search for freedom.

director: Dušan Makavejev
screenplay: Staša Jelić
cinematography: Aleksandar Petković
editing: Marko Babac
music: Mihajlo Živanović
production: Zora Film
sales: Dušan Makavejev
source of print: Filmoteka Narodowa
language: Serbian
colouration: b&w

I Miss Sonia Henie

Nedostaje mi Sonja Henie
Yugoslavia 1972 / 20’

During the 1972 FEST Belgrade Film Festival the Slovenian filmmaker Karpo Godina offered eight directors each the opportunity to make one short. The rules were simple: use the same room, single camera position, one lens, no zoom, and each vignette must include the sentence I miss Sonja Henie (taken from a Snoopy comic strip). This wild experiment is edited with archive footage of Sonia Henie and was immediately banned by communist censors.

director: Dušan Makavejev, Tinto Brass, Puriša Djordjević, Miloš Forman, Buck Henry, Paul Morrissey, Bogdan Tirnanić, Frederick Wiseman
screenplay: Uloge Tumače, Dobrila Stojnić, Branko Miličević, Buck Henry, Miloš Forman, Catherine Rouvel, Tinto Brass, Rade Rančić, Srdjan Zelenović
editing: Karpo Godina
cast: Dobrila Stojanić, Srdjan Zelenović, Branko Miličević, Catherine Rouvel, Sonja Henie, Brooke Hayward
producer: Karpo Godina
production: Neoplanta Film
sales: Karpo Godina
language: English, Serbian
colouration: colour & b&w

Puriša Djordjević

Mladomir ‘Puriša’ Đorđević is a Serbian director and screenwriter born in 1924. His film The Morning received a Golden Lion nomination in 1967. The same year, his film The Dream received a Golden Bear nomination in Berlin. In 1982, his short, Veselin Nikolic, received a special prize at the Krakow Film Festival. He has produced 63 films since his 1947 debut, Trst.

Filmography

1947 Trst (doc., short)

1966 San / The Dream

1967 Poranek / Jutro / The Morning

1972 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (co-dir.)

1982 Veselin Nikolic (doc., short)

1991 Srpski rulet

2007 Dva

Paul Morrissey

Paul Morrissey is an American director, screenwriter and cinematographer born in 1938. He studied literature at Fordham University and began making short independent films in the early 1960s, after stints in the military, an insurance company and as a social worker. In 1965, he met Andy Warhol, which sparked their cooperation; Morrisey later worked as a director and manager in Warhol’s Factory. Along with Anthony M. Dawson (Antonio Margheriti), an acclaimed Italian genre director, he co-directed Blood for Dracula and Flesh for Frankenstein, both with leading roles by Udo Kier. He received the Jack Smith Lifetime Achievement Award at the Chicago Underground Film Festival.

Selected filmography

1966 Chelsea Girls (co-dir.)

1968 The Loves of Ondine (co-dir.)

1971 Women in Revolt (co-dir.)

1972 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (co-dir)

1973 Ciało dla Frankensteina / Flesh for Frankenstein (co-dir.)

1974 Krew dla Draculi / Blood for Dracula (co-dir.)

1988 Kolec Bensonhursta / Spike of Bensonhurst

2005 Veruschka – życie dla kamery / Veruschka – Die Inszenierung (m)eines Körpers (co-dir., doc.)

Tinto Brass

Italian director, screenwriter, editor, and actor, Giovanni Tinto Brass was born in 1933 in Milan. He began as a highbrow or even avant-garde filmmaker. His The Howl was nominated in 1970 for the Golden Bear while his Vacation received the Italian Film Critics Award at the Venice Film Festival in 1971. In 1969, he produced his first erotic film, Attraction, about the fascination of a white woman with a dark-skinned man. In later years, his films tended toward soft porn, including The Voyeur, Frivolous Lola and Private. His films are controversial and evoke debate about the line between erotica and porn.

Selected filmography

1969 Czarne na białym / Nero su bianco / Attraction

1970 Krzyk / L’urlo / The Howl

1971 Wakacje / La vacanza / Vacation

1972 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (co-dir.)

1994 Mężczyzna, który patrzy / L’uomo che guarda / The Voyeur

1998 Frywolna Lola / Monella / Frivolous Lola

2003 Zrób to dobrze! / Fallo! / Private

Frederick Wiseman

Born in 1930, Documentary filmmaker, acclaimed for his portraits of American public institutions and the mechanisms underpinning various systems, e.g. school and prison, or industries, e.g. food, entertainment, and healthcare. Wiseman has honed his specific filmmaking model over many years, where he collects about 100 hours of footage shot without a script, does not interview his subjects, does not dub music or voiceover. Only the images and editing matter, on which he spends an entire year. Wiseman’s films have received awards at festivals in Venice, Cannes, and Berlin. Reminiscent of visual essays, they are recognized documentary classics.

Selected filmography

1967 Titicut Follies (doc.)

1968 High School (doc.)

1969 Hospital (doc.)

1975 Welfare (doc.)

1989 Near Death (doc.)

1997 Public Housing (doc.)

2003 Przemoc w rodzinie / Domestic Violence (doc.)

2009 La Danse – Le Ballet de l’Opéra de Paris (doc.)

2010 Sala do boksu / Boxing Gym (doc.)

Buck Henry

Buck Henry was born in 1930 in New York as Henry Zuckerman. This American actor, screenwriter, film director and writer was twice nominated for the Oscar, once for directing (with Warren Beatty) for Heaven Can Wait (1978) and with Calder Willingham for the script to The Graduate (1967). His other scripts include To Die For,directed by Gus van Sant, and What’s Up Doc directed by Peter Bogdanovich. Henry’s acting credits include The Man Who Fell to Earth, Mike Nichols Catch 22, Robert Altman’s Shortcuts, Miloš Forman’s Taking Off and Alan Rudolph’s Breakfast of Champions.

Filmography

1972 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (co-dir)

1978 Niebiosa mogą zaczekać / Heaven Can Wait (co-dir.)

1980 First Family

1989 Hunger Chic (episode in TV series Trying Times)

Miloš Forman

Born in 1932 in Čáslav, Czechoslovakia. His parents were killed in concentration camps. Miloš studied film at Prague’s FAMU and debuted in 1964 with Audition. Recognition came with films such as Black Peter (1964), The Loves of a Blonde (1965), and The Firemen’s Ball (1967) that showed his skill at exposing life’s tragicomedies, great and small. The invasion by Warsaw Pact forces on Czechoslovakia in August 1968 found him in Paris, from which he immigrated to the US. His first American film, Taking Off (1971) won the Grand Prize of the Jury at Cannes and his adaptation of Ken Kesey’s One Flew Over the Cuckoo’s Nest (1975) was extremely successful and the winner of five Oscars, followed by Hair, Amadeus, Ragtime, The People vs. Larry Flynt, Man on the Moon.

Selected filmography

1964 Konkurs / Konkurs / Audition

1964 Czarny Piotruś / Cerný Petr / Black Peter

1965 Miłość blondynki / Lásky jedné plavovlásky / The Love of a Blonde

1967 Pali się, moja panno / Horí, má panenko / The Firemen’s Ball

1972 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (co-dir.)

1975 Lot nad kukułczym gniazdem / One Flew Over the Cuckoo’s Nest

1979 Hair

1984 Amadeusz / Amadeus

1996 Skandalista Larry Flynt / The People vs. Larry Flint

1999 Człowiek z księżyca / Man on the Moon

Bogdan Tirnanić

Bogdan Tirnanić (1941-2009) is one of the best-known Serbian journalists and film critics. His career has included acting roles – he starred in the award winning film Early Works, (1969) and The Black Bomber (1992). In 1981, he wrote the script for the feature The Promising Boy. He directed one film, a short that is part of the I Miss Sonia Henie compilation film.

Filmography

1972 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (co-dir)

Miss Beauty ’62

Ljepotica ’62
Yugoslavia 1962 / 14’

In this short about a 1962 beauty contest, Makavejev’s camera follows the girls during their preparations, photo shoots and the contest. It is a warm film though not without irony, that also documents the social changes rippling through Yugoslavia in the early 1960s.

director: Dušan Makavejev
screenplay: Dušan Makavejev
cinematography: Djordje Jolić, Aleksandar Petković
editing: Vuksan Lukovac
production: Sutjeska Film
sales: Film Center Sarajevo
language: Serbian
colouration: b&w

New Domestic Animal

Nova domača životinja
Yugoslavia 1964 / 10’

This short doc is about changes occurring in Yugoslav rural life as it begins to reap the benefits of motorization, e.g. delivering fruits and veggies to market by automobile, but with a bitter theme: progress is set against horses sent to the slaughter as the car becomes the new domestic animal replacing the animals that had hitherto worked for man.

director: Dušan Makavejev
screenplay: Dušan Makavejev, Momčilo Ilić
cinematography: Branko Perak
editing: Marko Babac
music: Petar Bergamo
production: Dunav Film
sales: Dušan Makavejev
source of print: Jugoslovenska Kinoteka
language: no dialogues
colouration: b&w

One Potato, Two Potato

Eci, pec, pec
Yugoslavia 1961 / 9’

A satire about the temptations of an accountant that lead him into a life of crime, with Mija Aleksić playing the lead.

director: Dušan Makavejev
screenplay: Mica Hađzić, Dušan Makavejev
cinematography: Vladeta Lukić
editing: Marko Babac
music: Vojislav Kostić
cast: Mija Aleksić
production: Avala Film
sales: Dušan Makavejev
source of print: FARS
language: Serbian
colouration: b&w

Parade

Parada
Yugoslavia 1962 / 11’

Parade,one of Makavejev’s best-known films,isa view into the preparations International Worker’s Day where the director all but ignores the titular parade. The film focuses on the people – those who work and those who wander the streets, sometimes lost among the throngs, shown in a by-the-way fashion and not without humor. Makavejev claims he sought to show, man as he is […] – normal, judged by the measure of this time.

director: Dušan Makavejev
screenplay: Dušan Makavejev
cinematography: Aleksandar Petković, Branko Perak
editing: Marko Babac
production: Dunav Film
sales: Dušan Makavejev
source of print: Filmoteka Narodowa
language: Serbian
colouration: b&w

Smile ’61

Osmjeh ’61
Yugoslavia 1961 / 15’

Socialist work ethic meets youthful exuberance and lightheartedness where backbreaking labor does not ruin anyone’s summer vacation. Smile ’61 is a documentary short about youth brigades building a highway in Macedonia that juxtaposes propaganda voiceover with daily scenes of camp life. Makavejev is a careful observer who manages to subtly subvert the film’s overtly propagandistic expression.

director: Dušan Makavejev
screenplay: Dušan Makavejev
cinematography: Aleksandar Petković, Branko Perak
editing: Kleopatra Harisijades
production: Sutjeska Film
sales: Film Center Sarajevo
source of print: Filmoteka Narodowa
language: Serbian
colouration: b&w

Dušan Makavejev

Director, screenwriter and leading exponent of the ‘novi film’ new wave of Balkan cinema, Dušan Makavejev was born in Belgrade in the former Kingdom of Yugoslavia in 1932. He first studied psychology at the University of Belgrade, before moving on to film direction studies at the Academy of Theatre, Film, Radio and Television. As a student, in the 1950s, Makavejev had an intense interest in film criticism – very much like his distant colleagues who would form the core of the French New Wave movement. He became active within the ‘Beograd’ film club and worked on theater productions, both as an actor and director. He began making his own short films in 1953, and quickly developed an interest in documentary filmmaking, which greatly influenced his style and technique. His feature debut, as director and writer, Man Is Not a Bird (1965) already showed his unconventional and original vision. His fourth film WR – Mysteries of the Organism (1971) caused great controversy, put Makavejev on the Yugoslav government’ list of suspect artists, and went on to become a cult classic. Following its release, Makavejev emigrated to France. Thereafter he worked abroad for two decades, including in the United States, where he was a guest of Francis Ford Coppola. He first returned to his homeland at the end of the 1980s, and today shares his time between Belgrade and Paris. His films have screened at all the major festivals, including Cannes and Berlinale, and he has served on festival juries in Berlin (1970) and Venice (2004). In 1998, he received the Mostra Special Award at the São Paulo IFF.

Filmography

1953 Jatagan mala (doc., short)

1955 Pieczęć / Pečat / The Seal (short)

1957 Rozbite lustro Antoniego / Antonijevo razbijeno ogledalo / Anthony’s Broken Mirror (short)

1958 Nie wierzcie w pomniki / Spomenicima ne treba verovati / Don’t Believe in Monuments (short)

1958 Album pszczelarza / Slikovnica pčelara / Beekeeper’s Scrapbook (doc., short)

1958 Śniące kolory / Boje sanjaju / Colors Are Dreaming (doc., short)

1958 Przeklęte święto / Prokleti praznik / Damned Holiday (doc., short)

1959 Co to jest rada zakładowa? / Što je radnički savjet? / What Is a Workers’ Council? (short)

1961 Edukacyjna bajka / Pedagoška bajka / Educational Fairy Tale (short)

1961 Ene, due, rabe / Eci, pec, pec / One Potato, Two Potato (short)

1961 Uśmiech ’61 / Osmjeh ’61 / Smile ’61 (short)

1962 Miss Piękności ’62 / Ljepotica ’62 / Miss Beauty ’62 (doc., short)

1962 Film o książce / Film o knjizi A.B.C. / Film About a Book (short)

1962 Pochód / Parada / Parade (doc., short)

1962 Precz z płotami / Dole plotovi / Down with the Fences (short)

1964 Nowe zwierzę domowe / Nova domača životinja / New Domestic Animal (doc., short)

1964 Nowa zabawka / Nova igračka / New Toy (short)

1965 Człowiek nie jest ptakiem / Čovek nije tica / Man Is Not a Bird

1967 Miłosny przypadek, czyli tragedia telefonistki / Ljubavni slučaj ili tragedija službenice P.T.T. / Love Affair, or the Case of the Missing Switchboard Operator

1968 Bezbronna niewinność / Nevinost bez zaštite / Innocence Unprotected (doc.)

1971 Tęsknię za Sonją Henie / Nedostaje mi Sonja Henie / I Miss Sonia Henie (short)

1971 WR – tajemnice organizmu / W.R. – Misterije organizma / WR: Mysteries of the Organism

1974 Sweet Movie

1974 Politfuck (as Sam Rotterdam, segment in Wet Dreams)

1981 Czarnogóra, czyli perły i wieprze / Montenegro / Montenegro – Or Pigs and Pearls

1985 Coca-Cola Kid / The Coca-Cola Kid

1988 Manifest / Manifesto

1993 Goryle kąpią się w południe / Gorila se kupa u podne / Gorilla Bathes at Noon

1994 Dziura w duszy / Rupa u duši / A Hole in the Soul (doc.)

1995 Duńskie dziewczyny pokazują wszystko / Danske piger viser alt / Danish Girls Show Everything (co-dir.)

Prepared by: Marta Miś