We watch Anna (Zsofia Szamosi) for barely one day. The camera follows her when she is preparing meals for her three children, when she takes them to school, preschool and classes. It's with her when she is rushing to work at a language school where she teaches Italian, and when she's worried about money or her marriage-she's just learned from an old friend that she and Anna's husband had something of an affair. This information only reinforces her feeling of underappreciation and of being invisible. Debut director Zsófia Szilágyi, who previously worked as an assistant to Ildikó Enyedi on the Golden Bear-winning On Body and Soul in Berlin, makes sure we painfully experience every twitch of overworked Anna's strained nerves and her reaction to every irritating sound. As if we were inside the head of a woman whose life-which has become a perpetual race-has lost its flavor and charm. Will she manage to find these things again? Having been compared with Chantal Akerman'sJeanne Dielman, 23 Commerce Quay, 1080 Brussels, One Day deals with the exhaustion that comes from domestic duties and the relentless routine of motherhood.The film premiered during Critics' Week at Cannes, where it won the main prize.
IFF Canes Critics Week 2018 - FIPRESCI Prize
Born in 1978, Zsófia Szilágyi is a Hungarian director and screenwriter. After graduating from the University of Pécs in 2002, she continued her studies at the University of Theater and Film Arts in Budapest (graduating in 2007). She has worked as a second-unit director on a number of films, including Joram Lürsen's Publieke werken (2015) and Ildikó Enyedi's Oscar-nominated On Body and Soul (2017), as well as a casting director, while simultaneously making her own short films. Her full-length feature debut, One Day, was shown during Critics' Week of this year's Cannes Festival, where it won a FIPRESCI award.
2006 Semleges hely (short)
2007 Budapest ostroma (TV series doc.)
2014 Ha bírsz (doc.)
2018 Pewnego dnia / Egy nap / One Day