The action takes place in two blimps and on a football field covered with blue Astroturf in Boise, Idaho, where Matthew Barney, while still a student, tries his hand at professional sports. On the surface of Bronco Stadium, a group of showgirls dance in geometric patterns that replicate arrangements of grapes. The grapes are laid out by a young woman named Goodyear, who, along with several hostesses, simultaneously inhabits both blimps floating above the field. Kaleidoscopic compositions are formed in the contoured shape of gonads. The action steadily builds in rhythm to soft, ambient music reminiscent of jazz standards. Devoid of dialogue, the film alludes to the musical conventions of the American choreographer and director Busby Berkeley. Cremaster 1 refers to the first androgynous phase of human sexual development, and also to the state that the artist calls pure potential. Although the film was the third one made, it is in fact the first, introductory part of the series known as The Cremaster Cycle.
He is an American visual artist born in San Francisco in 1967. He currently lives and works in New York. He studied at Yale University in New Haven. He makes films, performance art, sculptures, and installations, while often blurring the lines that separate them. He has taken part in numerous exhibitions (including documenta 9 in Kassel and the Venice Biennale), and his art has been exhibited at such prestigious institutions as the Guggenheim Museum and the Serpentine Gallery. He has received numerous art and film awards, including an Aperto and a Hugo Boss Prize.
1994-2002 The Cremaster Cycle
1998 March of the Anal Sadistic Warrior
2004 De Lama Lâmina
2005 Drawing Restraint 9
2014 River of Fundament