Days and Nights in the Forest

Satyajit Ray
Aranyer Din Ratri
India 1970 / 111’
The Hero Distant Thunder

Four friends from Kolkata venture out into the wilderness for a few days, heading to Palamu, a land of legends and forests where the traditions of the Santal tribe still hold strong and one can forget about city life. Ashim, a carefree and somewhat arrogant playboy, Sanjoy, a literary-minded civil servant, the unemployed but energetic Shekhar, and Hari, an athlete who struggles to find his place in company, encounter two local dames and a Santal girl as they embark on their journey. The dynamics of their relationships and tensions fuel the film's momentum. Late-night escapades to the local bar, drunken returns home, efforts to maintain appearances in the presence of elegant ladies, yearnings, frustrations, and desires all erupt and seep through the cracks of the simple plot. Masterfully balancing humor and gravity, a brisk narrative pace and calm observation, Ray creates a complex and nuanced film, which, like his best works, is an ideal blend of compelling drama and philosophical reflection.

Karolina Kosińska

Satyajit Ray

Satyajit Ray is among the most important and outstanding Indian filmmakers, who amplified awareness of Indian cinema among Western audiences. Born in Calcutta in 1921 to an artistic Bengali family, he first worked in advertising and as a book illustrator. In 1947, Ray revived the Calcutta Film Society. Three years later, while traveling around Europe, he had the opportunity to see the classics of world cinema, which greatly influenced his cinematic sensitivity. Ray's first film, the 1955 A Song of the Little Road, became the sensation of that year's Cannes Film Festival. The debut was part of the so-called Apu trilogy, which remains one of the director's greatest movie achievements. Among the most important motifs of Ray's over 30 feature and documentary films is thorough social observation, reflection on India's cultural shifts, the ethical dimension of interpersonal relationships and life’s choices, as well as permanent and impermanent values. The director is a subtle stylist focused on visual detail and a tireless researcher of nature and human psychology. Ray died in Calcutta in 1992. 

Selected filmography

1955 Droga do miasta / Pather Panchali / Pather Panchali

1956 Nieugięty / Aparajito / The Unvanquished

1958 Salon muzyczny / Jalsaghar / The Music Room

1959 Świat Apu / Apu Sansar / The World of Apu

1960 Bogini / Devi / Goddess

1961 Trzy córki / Teen Kanya / Three Daughters

1962 Kanczendzanga / Kanchanjungha / Kanchanjungha

1963 Wielkie miasto / Mahanagar / The Big City

1966 Idol / Nayak / The Hero

1969  Dni i noce w lesie / Aranyer Din Ratri  / Days and Nights in the Forest

1970 Przeciwnik / Pratidwandi / The Adversary

1971 Towarzystwo z ograniczoną odpowiedzialnością / Seemabaddha / Company Limited

1975 Pośrednik / Jana Aranya / The Middleman

Credits

director Satyajit Ray
screenplay Satyajit Ray
cinematography Soumendu Roy
editing Dulal Dutta
music Satyajit Ray
cast Soumitra Chatterjee, Subhendu Chatterjee, Rabi Ghosh, Samit Bhanja, Sharmila Tagore, Kaberi Bose, Simi Garewal
producer Asim Dutta, Nepal Dutta
production Priya Films
sales Films Sans Frontiers
language Bengali, English
colouration b&w