Four friends from Kolkata venture out into the wilderness for a few days, heading to Palamu, a land of legends and forests where the traditions of the Santal tribe still hold strong and one can forget about city life. Ashim, a carefree and somewhat arrogant playboy, Sanjoy, a literary-minded civil servant, the unemployed but energetic Shekhar, and Hari, an athlete who struggles to find his place in company, encounter two local dames and a Santal girl as they embark on their journey. The dynamics of their relationships and tensions fuel the film's momentum. Late-night escapades to the local bar, drunken returns home, efforts to maintain appearances in the presence of elegant ladies, yearnings, frustrations, and desires all erupt and seep through the cracks of the simple plot. Masterfully balancing humor and gravity, a brisk narrative pace and calm observation, Ray creates a complex and nuanced film, which, like his best works, is an ideal blend of compelling drama and philosophical reflection.
Satyajit Ray is among the most important and outstanding Indian filmmakers, who amplified awareness of Indian cinema among Western audiences. Born in Calcutta in 1921 to an artistic Bengali family, he first worked in advertising and as a book illustrator. In 1947, Ray revived the Calcutta Film Society. Three years later, while traveling around Europe, he had the opportunity to see the classics of world cinema, which greatly influenced his cinematic sensitivity. Ray's first film, the 1955 A Song of the Little Road, became the sensation of that year's Cannes Film Festival. The debut was part of the so-called Apu trilogy, which remains one of the director's greatest movie achievements. Among the most important motifs of Ray's over 30 feature and documentary films is thorough social observation, reflection on India's cultural shifts, the ethical dimension of interpersonal relationships and life’s choices, as well as permanent and impermanent values. The director is a subtle stylist focused on visual detail and a tireless researcher of nature and human psychology. Ray died in Calcutta in 1992.
1955 Droga do miasta / Pather Panchali / Pather Panchali
1956 Nieugięty / Aparajito / The Unvanquished
1958 Salon muzyczny / Jalsaghar / The Music Room
1959 Świat Apu / Apu Sansar / The World of Apu
1960 Bogini / Devi / Goddess
1961 Trzy córki / Teen Kanya / Three Daughters
1962 Kanczendzanga / Kanchanjungha / Kanchanjungha
1963 Wielkie miasto / Mahanagar / The Big City
1966 Idol / Nayak / The Hero
1969 Dni i noce w lesie / Aranyer Din Ratri / Days and Nights in the Forest
1970 Przeciwnik / Pratidwandi / The Adversary
1971 Towarzystwo z ograniczoną odpowiedzialnością / Seemabaddha / Company Limited
1975 Pośrednik / Jana Aranya / The Middleman